This is a collection of images from the Middle Ages and Renaissance showing women in armor. While this is not necessarily evidence of women warriors, it does show how illustrators and artists imagined that a woman might have worn armor – in many cases, how an illustrator imagined that a queen from centuries before might have looked, though wearing armor contemporary to the illustrator’s own era. Fortitude is often personified as an armored woman, too.

• Fortitude, from the frescoes at the Capella Scrovegni by Giotto, 1306
• Legend of the knight attending the mass instead of taking part in a tournament, Les miracles de Notre Dame (KB 71 A 24, fol. 123r), 1320-1340
• Penthesilea cast into the water, Roman de Troie (BNF Fr. 60, fol. 126), c. 1330
• Combat of Penthesilea and Neoptolemus, Ancient History up until Caesar (BNF Fr. 168, fol. 127v), 14th century
• The tomb of Azzone Visconti, d. 1339; tomb sculpture (c. 1342-1344 by Giovanni di Balduccio) includes personifications of cities
Hence, to make herself look like a man, Hypsicratea first scissored off those golden locks in which most women would have gloried. Then she not only suffered a helmet to cover her starry countenance (which was particularly beautiful) and her hair, but allowed that face to be disfigured with sweat, dust, and the rust of armor. She discarded her golden bracelets, jewels, and dresses of purple flowing down to her feet, or she cut them at the knee, and she covered her ivory breast with a cuirass and fastened greaves to her legs. She cast aside her rings and other precious ornaments on her hands, and in their place she carried a shield and ashwood lances; instead of her necklaces she hung Parthian bows and quivers about her neck. So well did Hypsicratea accomplish all this that you might well believe she had been transformed from a haughty queen into a seasoned soldier.

De mulieribus claris

• Marpesia and Lampedo (fol. 19), combat of Hercules and the Amazons (fol. 30v), Penthesilea and her company (fol. 46), Tomyris kills Cyrus the Great (fol. 56), Artemis II and her army (fol. 86v), and Hypsicratea with her army (fol. 116), De mulieribus claris (BNF Fr. 598), beginning of the 15th century
• Tomyris watches Cyrus the Great die, De casibus (BNF Fr. 226, fol. 58), first quarter of the 15th century
• Amazons, Mandeville’s Voyages (BNF Fr. 2810, fol. 181), c. 1410-1412
• Minerva and Athena (fol. 103), Queen Penthesilea (fol. 103v), and the head of king Cyrus brought before Tomyris (fol. 121v), L’Épître Othéa (British Library Harley 4431), c. 1410-1414
• Amazons in battle, Weltchronik des Jansen Enikel (BSB Cod. germ. 250, fol. 51v), c. 1420-1430
• Amazons, Secrets of Natural History (BNF Fr. 1377, fol. 2v), 1428
• Fortitude by Paolo Uccello, c. 1435
• Tomyris sees the head of Cyrus the Great, De casibus (BNF Fr. 229, fol. 78), c. 1435-1440
• Detail from a tapestry of the arrival of Joan of Arc at Chinon, 15th century
• Alexander and the Amazons, History of Alexander (BNF Fr. 9342, fol. 139v), mid-15th century
• Combat of Theseus, Hercules, and the Amazons (fol. 39v), battle of Greeks and Amazons (fol. 43), and Tomyris and the death of Cyrus the Great, Mare historiarum (BNF Latin 4915), 1447-1455
• Fortitude by Matteo de’ Pasti, 1449-1455
• Queen Tomyris by Andrea del Castagno, c. 1450
• The Queen of Swords from the Visconti-Sforza Tarot Cards, c. 1450
• Penthesilea and her Amazons ride through a forest to aid the Trojans, L’épître d’Othéa (KB 74 G 27, fol. 18r), c. 1450-1475
• Pyrrhus, the son of Achilles, kills Penthesilea, Histoires Troyennes (KB 78 D 48, fol. 211v), c. 1450-1475
• Amazons, Mandeville’s Travels (WLB Cod. theol. 195, fol. 153v), c. 1460-1470
• The arrival of Penthesilea and the combat of the Amazons, c. 1465
• Marpesia and Lampedo are separated, Fleur des histoires (BNF Fr. 55), second half of the 15th century
• The battle of Theseus, Hercules, and the Amazons (fol. 170v) and a battle between the Greeks and the Amazons (fol. 300v), Histoires de Troyes (BNF Fr. 59), second half of the 15th century
• Amazons in battle, Speculum historiale (BNF Fr. 50, fol. 40v), 1463
• Amazons in battle, Historia Troiana (BSB Cod. lat. 61, fol. 159v), before 1470
• Fortitude by Sandro Botticelli, c. 1470
• Isabella of France and Roger Mortimer, Chroniques d'Angleterre (British Library Royal 15 E. IV, fol. 316v), c. 1470-1480
• Amazons, Secrets of Natural History (BNF Fr. 22971, fol. 2), c. 1480-1485
• Joan of Arc fights the prostitutes (fol. 60v), the surrender of Troyes (fol. 62), the siege of Paris (fol. 66v), the arrest of Joan of Arc (fol. 70), Vigils of Charles VII (BNF Fr. 5054), 1484
• Joan of Arc, c. 1485
• Amazons, The Nuremburg Chronicle (fol. 28v), 1493
• Minerva, Échecs amoureux (BNF Fr. 143), c. 1496-1498
• Fortitude and Temperance with Six Antique Heroes by Pietro Perugino, 1497
• Minerva (fol. 9), Marpesia and Lampedo (fol. 12), Orithya and Antiope (fol. 18v), Penthesilea (fol. 27v), Tomyris (fol. 43v), Hypsicratea (fol. 67), and Triaria (fol. 82v), De mulieribus claris (BNF Fr. 599), 15th-16th century
• Tapestry of Penthesilea, Queen of the Amazons from the Château d'Angers, beginning of the 16th century
• Joan of Arc, La Vie des Femmes Célebres (Cl Ch Hémon, Musée Dobrée), 1504
• The Cardinal Virtues by Raphael, 1511
• Several figures in the Triumph of Fortitude tapestry, 1525, including Cinope, Penthesilea, Tomyris, and Fortitude
• An Amazon (?), The Farnese Hours (PML M.69, fol. 51r), 1546
• Detail from Dulle Griet by Pieter Bruegel the Elder, c. 1562
• Minerva Shows Taddeo the Prospect of Rome by Federico Zuccaro, c. 1595
• Joan of Arc by Peter Paul Rubens, 1620