| Pomanders | ||
|---|---|---|
| ||
|
For now, this page focuses on extant examples of pomanders; while many portraits show pomanders worn at the end of a girdle (as in the 1564 portrait of Anne Fernely), sometimes it's hard to tell whether it's a pomander or just a fancy tassel or similar ornament. (For another nifty and clearly-a-pomander example from portraiture, there's also this 1518 portrait of a man by Jacob Cornelisz von Oostsanen, and this collection of illustrations on Wikimedia.) See also Girdle Tassels: Pomanders for a few more examples, The Painted Face for pomander recipes from 1573 and 1609, Scents of the Middle Ages for materials commonly used in pomanders and recipes from 1606 and 1615, and Stefan's Florilegium: Pomanders. From the 16th century descriptions, it appears that "pomander" can be the term for the actual scented stuff (and can, in fact, refer to scented beads, as "a cheyne of pomaindes, with buttons of silver betwene" and "a cheyne of pomaunder with a verey small ragged perle" in the New Year's Gifts to Queen Elizabeth, 1577-8), or the fancy container for the scented stuff.
About the bordyre of the seid couche were xij appuls callid pomendambres, wrought withouten curiously of gold, garnysht of mugles and alle othir precious sauours of muskis recensitiues and restoratiues.
Cleveland, John G. White Collection q091.92-C468 By the Lady Margaret Strainge, a little round mounte of golde to conteyne a pomaunder in it.
From the New Year's Gifts to Queen Elizabeth, 1561-2 By the Lady Heniaige, a pomaunder gar' with golde and 12 sparks of rubies and perles pendaunt, per oz. | ||