Illustrations of people wearing the “chaperon” style of headdress; in its early form, a hood worn with the face-opening on top of the head, but later evolving a padded roll where the face-opening used to be. These illustrations demonstrate the different manners of wearing a chaperon; how the mantle-end draped, whether the tail end was wrapped about the head or allowed to drape across the shoulders, etc.

These are referred to by several other names, by various costumers, including “liripipes” or “coxcomb hats.” It should be noted that chaperon is merely the French word for 'hood'; I have no evidence to indicate that this particular style of headwear was (in medieval England) differentiated from the conventional manner of wearing hoods by use of the word chaperon or any other term, for that matter. Some of these links provide more information and methods of construction.

• The Manesse Codex (UBH Cod. Pal. germ. 848), 1300-1330: 13r, 110r, 115r, 182v, 205r, 264r, 290r, 292v, 305r, 323r, 355r, 362r, 364r
• The Luttrell Psalter (British Library Add. 42130, c. 1325-1335: fols. 147v, 207v, 208
• Bas-de-page in fol. 59r of The Romance of Alexander (Bodley 264), c. 1338-1344
• Voeux du paon (PML G.24), c. 1350: fols. 25v, 44r, 52r
• Historiated initial; Boethius lecturing, On the Consolation of Philosophy (Glasgow MS Hunter 374, V.1.11, fol. 4r), c. 1385
• Detail from an illustration of red wine, Tacuinum Sanitatis (MS. Casanatense 4182), late 14th century
• The Book of the Hunt (BNF Fr. 616), beginning of the 15th century: fols. 40v, 53, 72, 85 119
• The combat of Arthur and Brunor d'Estrangoire, Guiron le Courtois (BNF Arsenal 3477, fol. 121), beginning of the 15th century
• Portrait of a man by Robert Campin, 1400-1410
• Gawain is kidnapped, Lancelot du Lac (BNF Arsenal 3479, fol. 622), c. 1405
• Details from the April, May, June, June, July, August, September, October, and December frescoes at the Castello Buonconsiglio, c. 1405-1410
• Portrait of Louis II, Duke of Anjou, 1412-1415
• Portrait of Louis II of Anjou, c. 1415
• A book of hours (PML M.27), c. 1420-1430: April (fol. 5v), May (fol. 6v)
• A book of hours (PML M.453), c. 1420-1435: fols. 5r
• The Bedford Hours, 1423: construction of the Ark and the Tower of Babel
• The Devonshire Hunting Tapestries: the Boar and Bear Hunt (1425-1430), Falconry (1430s), the Swan and Otter Hunt (1430s), and the Deer Hunt (1440-1445)
• Right wing of the Mérode Altarpiece by Robet Campin, 1427
• Portrait of a goldsmith by Jan van Eyck, c. 1430
• Book of hours (PML M.359), c. 1430-1435: fols. 62v, 70r, 74r, 129v, 138r, 140r
• Drawing of a young man by Rogier van der Weyden, 1430s
• The Decameron (BNF Arsenal 5070), 1432: fols. 215v, 223v, 304
• Portrait of a young man by Jan van Eyck, 1432
• Detail from The Virgin of Chancellor Rolin, 1435
• Portrait of Giovanni Arnolfini by Jan van Eyck, c. 1435
• Drawing of a man by Jan van Eyck
• Daniel fed by Habakuk and Daniel in the lion's den from the frescoes at St. Daniel am Kiechelberg, c. 1444-1448
• Detail from the Seven Sacraments Altarpiece by Rogier van der Weyden, 1445-1450
• Detail from the Bladelin Triptych by Rogier van der Weyden, 1445-1450
• Portrait of Edward Grimston, 1446
• Detail from the dedication page from the Chroniques de Hainault, 1448
• St. Eligius in his Workshop by Petrus Christus, 1449
• Portrait of Marco Barbarigo, c. 1449-1450
• A donor by Petrus Christus, c. 1450
• St. Ivo by Rogier van der Weyden, c. 1450
• Portrait of Philip the Good by Rogier van der Weyden, after 1450
• The Presentation in the Temple by Hans Memling, 1463
• Portrait of a young man by Sandro Botticelli, c. 1469
• The Knight Cifar (BNF Esp. 36), fourth quarter of the 15th century: fols. 10, 61v, 103, 133, 146v 148v, 154
• Lorenzo de’ Medici, 1478/1521
• Envy from the Seven Deadly Sins by Hieronymus Bosch, c. 1480
• Joachim in a book of hours (PML M.220, fol. 24r), c. 1500
• Outer wings of the Haywain Triptych by Hieronymus Bosch, 1500-1502
• Adoration of the Child by Hieronymus Bosch
• Two caricatured heads by Hieronymus Bosch
• Detail from the Triptych of St. Anthony by Hieronymus Bosch, 1505-1506