The goal of this page is to view how archers would have dressed (or armored) in the Middle Ages, in terms of realistic period portrayals of archers. There are plenty of unrealistic examples, of course; this list avoids figures dressed more for allegory or myth than for practical archery.

This list should also be useful for viewing period depictions of archery accoutrements. See Archers in Action for a brief but interesting description of medieval combat archery, or these links on medieval archery equipment.) Also notable are portraits by Memling and van der Weyden of men holding arrows. There is an interesting description of medieval Welsh archers at Data Wales.

• The Maciejowski Bible, 13th century
  The Israelites are repulsed from Hai (fol. 10r): An archer with a crossbow.
  The city of Hai is captured and its King is hanged (fol. 10v): An archer with a crossbow.
  Saul destroys Nahash and the Ammonites (fol. 23v): An archer with a longbow. (Arrows are tucked into the back of his belt.)
  Jonathan warns David: Jonathan holds a longbow and carries three arrows tucked into the back of his belt.
• Kumane kidnaps a girl in a fresco series from the legend of Ladislaus at Velka Lomnica in Slovakia, c. 1300-1310
• The Manesse Codex (UBH Cod. Pal. germ. 848), 1300-1330: Herr Rubin (fol. 169v), Der von Wildonie (fol. 201r), Kristan von Luppin, eine Thüring (fol. 226v), Der Düring (fol. 229v), Von Trostberg (fol. 255r), Heinrich von Tettingen (fol. 361r), and Der Kol von Nüssen (fol. 396r)
• Nobles at a fountain, one with a bow and belt-quiver, Cocharelli Treatise on the Vices (British Library Egerton 3781, verso), c. 1314-1324
• The Luttrell Psalter (Brit. Lib. Add. 42130), c. 1325-1335
  A longbow-archer and a crossbow-archer.
  Archers shoot at a target (fol. 147v)
• The Holkham Bible (Brit. Lib. Add. 47680), c. 1327-1335: 6v and 40
• The Bull of Monte Gargano, The lives of the saints (BNF Fr. 185, fol. 259v), second quarter of the 14th century
• Isaac blesses Esau (fol. 114v), who has an interesting belt-case for his bow; and Esau hunting, wearing a quiver on his belt (fol. 184v), Concordantiae caritatis (Stiftsbibliothek Lilienfeld 151), c. 1349-1351; note the belt-case for his bow. Several other illustrations from this manuscript also depict archers, too: the first Rider of the Apocalypse (fol. 36v), a diver escapes underwater (fol. 40v), the vulture devouring its own brain (fol. 97v), a wounded goat eats an herb which pulls the arrow from its wound (fol. 109v), a lion who remembers and retaliates against a man who wounded him (fol. 112v)
• Knife with an ivory archer handle, 1380-1400
• Tacuinum Sanitatis, (BNF Nouvelle acquisition latine 1673), c. 1390-1400: Spelt, fol. 48v (fancy arrow-quiver on belt); Cranes, fol. 70v; Wind, fol. 101 (note simple black quiver worn on belt)
• The French destroy Genoa, Chroniques de France ou de St. Denis (Brit. Lib. Royal 20 C. VII, fol. 19), end of the 14th century
• Siege of Jerusalem, Bible historiale (BNF Fr. 10, fol. 412v), beginning of the 15th century
• Zenobia hunting (fol. 148), De mulierbus claris (BNF Fr. 598, fol. 148), beginning of the 15th century
• Gaston Phoebus’ Book of the Hunt (BNF Fr. 616), beginning of the 15th century: several illustrations. Especially notable: a fur-covered quiver hanging from a belt, fols. 11v, 94, 115v, and 118
• Detail from The Siege of Cologne, a fresco at St. Stephan in Obermontani, c. 1400-1410
• Archers in a fresco of the martyrdom of St. Sebastian at St. Nikolaus in Rojen, c. 1400-1420; both archers have quivers on their belts
• Archer (John Gower?) shooting at the world, Vox Clamantis (Hunter 59, fol. 6v), c. 1400; arrows tucked into belt
• The execution of Odoacer, De casibus (BNF Fr. 226, fol. 234), first quarter of the 15th century; arrows carried in a brown (leather) quiver suspended from the waist
• The Death of St Giles from the Garamszentbenedek Altarpiece by Master Thomas de Coloswar, 1427
• Drawing of a bowcase and a quiver of arrows by Pisanello, 1438
• Interesting border around St. Fabian and St. Sebastian featuring bows, arrows, quivers, and harp-framed (hunting/falconry?) purses, The Hours of Catherine of Cleves (PML M.917, fol. 253), c. 1440
• Prince Tassilo Rides to Hunting, 1444
• Detail from The Crucifixion by Conrad Laib, 1449
• The parents of St. Ursula receive the courtship message from the St. Ursula altarpiece at Neuburg Cloister in northern Austria, c. 1459-1469; note quiver on belt
• Lamech kills Cain (fol. 16r) and Esau goes hunting (fol. 42r), Weltchronik (ÖNB 2823), 1463; they carry their bolts in large (fur-covered?) pouches that hang on their belts
• Siege of Mortaigne (fol. 23), death of Bertrand du Guesclin (fol. 47v), siege of Brest (fol. 210), fighting outside Brest (fol. 224), assault on Ribodane (fol. 252), and the capture of Ribodane (fol. 281v), Chronique d' Angleterre (Brit. Lib. Royal 14 E. IV), late 15th century
• Jupiter and His Children, the Wolfegg Housebook, 1475-1485
• Target shooting, Schachzabelbuch (ÖNB 3049, fol. 168r), 1479
• The Martyrdom of St. Ursula and the Virgins, c. 1480-1490; an interesting detail of a case made to hold a bow and arrows
• A man shooting a crossbow, Wappenbuch (ÖNB 12820, fol. 184r), c. 1484-1486; he carries a large fur-covered belt-pouch, presumably to carry his bolts, as seen above in ÖNB 2823

There myght men see Archers gode, Cast away bothe gowne and hode, The better forto shote The Siege of Calais, ll. 114-116

• St. Sebastian by Vincenzo Foppa, 1489
• A sketched crossbowman, with quiver on his belt, takes aim at birds inhabiting an illuminated inital, Kuttenberger Kantionale (ÖNB Mus. Hs. 15501, fol. 48v), 1490
• A crossbow and quiver, c. 1490-1500
• A man with a longbow and arrows tucked into his belt, apparently shooting crows in a field, October, The Grimani Breviary, c. 1490-1510
• Archery Festival, 1493
• Martyrdom of the Pilgrims and the Funeral of St Ursula by Vittore Carpaccio, 1493
• St. Gilles and the Hind, 1500
• An invitation to join an arms competition, 1501 or later
• 16th century quiver
• 16th century quiver
• An archery fair at Konstanz in the Lucerne chronicle (Luzerner Schilling), 1513
• The archers (note quiver and crossbows) in the Martyrdom of St. Ursula and her Virgins from the altarpiece at the Church of St. Margaret in Mlynica in Slovakia, c. 1515-1520
• The Martyrdom of Saint Sebastian by Hans Holbein the Elder, 1516
• Archery Festival at St. Gallen, 1527
• A crossbow competition in fols. 11v and 12r of the Hennessy Book of Hours, c. 1530-1540
• The martyrdom of St. Sebastian, The Munich-Montserrat Hours, c. 1535-1540 (note the fancy quiver on the ground)
• Hunting near Hartenfels Castle by Lucas Cranach, 1540
• The Adoration of the Kings by Pieter Bruegel the Elder, 1564 (note bolts tucked into belt and hat)
• Bow-case and arrow-quiver, made in Turkey but probably a diplomatic gift to a European, c. 1550
• Arrow-case, made in Antwerp in 1564 (the style seems similar to the one in this golden relief of Sampson and Delilah, c. 1555-1565)
• A bowman, Album Amicorum of a German Soldier, (LACMA M.91.71.26), 1595
• The Kermesse of St. George by Pieter Brueghel the Younger; see also The Devil is in the Detail and this version from 1628
• A 17th century box of crossbow-bolts
• A 17th century arrow-case made in Antwerp